Aspect and tense
Aspect and tense
This tends to be the first thing I focus on when conjugating verbs. What I want to know is, what aspects and tenses do you use in your langs, or do you have a crazy system? Show us all how you conjugate them!
:zho:
Re: Aspect and tense
Hoo boy. Demonos has complicated verbs:
All verbs end in "-eng".
Alright, first here is Conjugation. I'll be using "Kunaeng"--"To love"
There are three more tenses, but I won't elaborate on them.
Now, you can do alot more to Demonos verbs. They can have markers added to them. They are added to the front, and they get COMPLICATED.
Let's use "Zateng"--"to run", this time:
....Yeah.
All verbs end in "-eng".
Alright, first here is Conjugation. I'll be using "Kunaeng"--"To love"
Spoiler:
Now, you can do alot more to Demonos verbs. They can have markers added to them. They are added to the front, and they get COMPLICATED.
Let's use "Zateng"--"to run", this time:
Spoiler:
Nūdenku waga honji ma naku honyasi ne ika-ika ichamase!
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
Re: Aspect and tense
Hoo boy.
Midhera verbs take aspects according to what aspectuality class the verb falls into:
Those aspects marked with an asterisk also take a subaspect, here:
The position of the aspect and subaspect markers in the verb template depend on the aspectuality class of the verb.
As for tense, Midhera has two simultaneous tense systems: A relative tense and an absolute tense. The relative system is a simple Anterior/Simultaneous/Posterior system that's combined with the switch-reference markers. The absolute system is more complex:
Finally, related to tense, Midhera has an optional set of markers indicating the time of day the event being described took place.
(Note this is relative to the amount of daylight, which varies widely in the Midh homeland. Whether 7 AM is "Day" or "Sunrise" or even "After Dark" depends on the time of year. The "sunrise" and "sunset" stages can also last longer than the days and nights do.)
Midhera verbs take aspects according to what aspectuality class the verb falls into:
Code: Select all
Aspectuality Classes:
STATIVE - Passive quality "be angry, sit, lie down"
*Be in the state.
ORIENTIVE - For actions with direction, but no movement on the part of the agent "stretch, turn, face, throw"
Face a definite target.
Face nowhere in particular; Face away.
Turn to an original state after a change of direction.
MOTION - Traveling movement "swim, run, fly"
Go straight to the target
Go to the target, then come back to the start point
Return to the start point from the target.
Go to the target, but making side trips or dawdling
Not make it to the target, get lost along the way
SUCCESSIVE - Punctual actions "chop, lick, stab"
Perform once.
Perform again.
Perform multiple times in quick, steady succession.
Perform multiple times in a disonnected, unorderly way.
Finally perform the action after a long wait.
Perform the action for the last time.
CONVERSIVE - Goals "build, read (a whole book), eat (a meal), search"
Succeed.
Attempt, but get distracted or procrastinate.
Attempt, but be interrupted.
Attempt, but get frustrated in the midst and give up.
Attempt, but fail.
OPERATIVE - Processes "read (as an activity), sleep, snack"
*Perform the activity for a time.
*Perform the activity on a regular basis.
Have experience in performing the activity.
Be busy with the activity, having no time for distractions.
*Be away from the current spatial reference frame performing the activity.
*Be obsessed with, spend all your time doing the activity.
*Enjoy the activity.
*Dislike the activity.
Code: Select all
SUBSITUATIONS (*)
Stative - Perform the activity/be in the state
Inceptive - Start the activity/Transition into state
Cessative - Stop the activity/Leave state
Pausative - Pause the activity
Resumptive - Resume the activity
As for tense, Midhera has two simultaneous tense systems: A relative tense and an absolute tense. The relative system is a simple Anterior/Simultaneous/Posterior system that's combined with the switch-reference markers. The absolute system is more complex:
Code: Select all
Present
Past:
Immediate
Recent
Remote
Ancestral
Future:
Immediate
Upcoming (Counterpart to recent)
Remote
Code: Select all
At sunrise
During the day
At Sunset
After dark
Last edited by Micamo on 19 Sep 2011 19:36, edited 2 times in total.
Re: Aspect and tense
Jesus Christ
And I thought mine was complicated. But yours has a lot of really cool ideas.
And I thought mine was complicated. But yours has a lot of really cool ideas.
Nūdenku waga honji ma naku honyasi ne ika-ika ichamase!
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
- eldin raigmore
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Re: Aspect and tense
I haven't worked out Adpihi's aspects yet.testyal1 wrote:This tends to be the first thing I focus on when conjugating verbs. What I want to know is, what aspects and tenses do you use in your langs, or do you have a crazy system? Show us all how you conjugate them!
It's voices are merely:
- (unmarked)
- reflexive
- reciprocal
The only moods/modes/modalities I've worked out so far are "independent" vs "conjunctive".
Surely it's going to have an interrogative one and an imperative one; and I expect it also to have a protatic conditional one and an apodotic conditional one. And, I haven't decided yet which are realis and which irrealis; maybe it will have more of each.
However it's got lots of tenses, if you count degrees-of-remoteness as tense.
It has 13 pasts and 13 futures and 1 present.
The degree-of-remoteness is made up of two parts; a "unit of time", and an expression of "how many of those units".
The "units of time" are:
- a year;
- a "severalth" of a year that is "several" days; (I'm going to call this "a fortnight" subsequently in this post)
- a day;
- a "severalth" of a day. (I'm going to call this "an hour" subsequently in this post)
The expression of "how many" is;
- within one unit-of-time from now;
- within two, but not within one;
- within a few, but not within two;
- not within a few.
So the tenses are:
- more than a few years ago
- within the last few years (but more than two years ago)
- last year (but more than a year ago)
- earlier this year (but more than a few "fortnights" ago)
- within the last few "fortnights" (but more than two "fortnights" ago)
- last "fortnight" (but more than a "fortnight" ago)
- earlier this "fortnight" (but more than a few days ago)
- within the last few days (but before yesterday)
- yesterday
- earlier today (but more than a few "hours" ago)
- within the last few "hours" but not within the last two
- more than one but less than two "hours" ago
- less than an "hour" ago
- present
- less than an "hour" from now
- more than one but less than two "hours" from now
- within the next few "hours" but not within the next two
- later today (but more than a few "hours" from now)
- tomorrow
- within the next few days (but after tomorrow)
- later this "fortnight" (but more than a few days from now)
- next "fortnight" (but more than a "fortnight" from now)
- within the next few "fortnights" (but more than two "fortnights" from now)
- later this year (but more than a few "fortnights" from now)
- next year (but more than a year from now)
- within the next few years (but more than two years from now)
- more than a few years from now
I'm thinking maybe it won't; instead, it may interact with the aspect of both the conjunctive-clause verb and the anchor-clause verb. There might be 18 tense-aspect combinations of the conjunctive clause if the anchor clause is durative; five of which count only if the conjunctive clause is punctive, the other thirteen only if the conjunctive clause is also durative.
- conjunctive clause both begins and ends before anchor clause begins.
- conjunctive clause begins before anchor clause begins, but ends just as anchor clause begins.
- conjunctive clause begins before anchor clause begins, but ends after anchor clause begins but before anchor clause ends.
- conjunctive clause begins before anchor clause begins, but ends just as anchor clause ends.
- conjunctive clause begins before anchor clause begins, but ends after anchor clause ends.
- conjunctive clause begins just as anchor clause begins but ends before anchor clause ends.
- conjunctive clause begins just as anchor clause begins and ends just as anchor clause ends.
- conjunctive clause begins just as anchor clause begins but ends after anchor clause ends.
- conjunctive clause begins after anchor clause begins but before anchor clause ends; and conjunctive clause ends after anchor clause begins but before anchor clause ends.
- conjunctive clause begins after anchor clause begins but before anchor clause ends; but conjunctive clause ends just as anchor clause ends.
- conjunctive clause begins after anchor clause begins but before anchor clause ends; but conjunctive clause ends after anchor clause ends.
- conjunctive clause begins just as anchor clause ends, but ends after anchor clause ends.
- conjunctive clause begins and ends after anchor clause ends.
As for conjugating the verbs;
Verbs have a prefix that tells something about the persons and genders of the participant(s).
(I call this "order", after what Algonquianists call what happens to verbs in the languages they study, although I don't think it's a prefix in them, or at least not in all of them.)
The "order" prefix means one of the following ten things;
- no participants
- one participant and it's first-or-second-person and animate.
- one participant and it's third-person and animate.
- one participant and it's third-person and inanimate.
- two or more participants and they're both first-or-second-person and animate.
- two or more participants and they're all third-person and animate.
- two or more participants and they're all third-person and inanimate.
- two or more participants and they're all animate; at least one is first-or-second-person and at least one is third-person.
- two or more participants and they're all third-person; at least one is animate and at least one is inanimate.
- two or more participants; at least one is first-or-second-person and at least one is third-person; and at least one is animate and at least one is inanimate.
I've discussed these elsewhere.
One relates the subject or agent of the marked clause to some participant of the anchor clause;
the other relates the object or patient of the marked clause to some participant of the anchor clause.
Verbs have polypersonal agreement suffixes that agree with the gender and number and person of agent and patient.
Last edited by eldin raigmore on 18 May 2012 21:37, edited 3 times in total.
My minicity is http://gonabebig1day.myminicity.com/xml
Re: Aspect and tense
Rawàng Ata has no tenses. It also has no aspects.
Re: Aspect and tense
You guys are insane. I could never imagine coming up with a language that complicated...
But hey, different strokes for different folks.
But hey, different strokes for different folks.
Nūdenku waga honji ma naku honyasi ne ika-ika ichamase!
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
Re: Aspect and tense
Eh, I didn't come up with the Midhera aspect system so much as steal it from the Athabaskan family. Plus I've been working on this thing for over a year now.
Re: Aspect and tense
Eh, I'm not just one for extremely complicated, highly-detailed aspect/tense systems like that.
'Tis what happens when you grow up speaking a natlang that doesn't even have a morphological future tense.
'Tis what happens when you grow up speaking a natlang that doesn't even have a morphological future tense.
Nūdenku waga honji ma naku honyasi ne ika-ika ichamase!
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
female-appearance=despite boy-voice=PAT hold boy-youth=TOP very be.cute-3PL
Honyasi zō honyasi ma naidasu.
boy-youth=AGT boy-youth=PAT love.romantically-3S
Re: Aspect and tense
The latest Conlangery (Conlangery #16: Tense) was planned to be a discussion about tense and aspect, but ended up being mostly about tense. Turns out, tense can get very complicated. I suggest you guys check it out.
/shamelessselfpromotion
/shamelessselfpromotion
George Corley
Producer and Moderating Host, Conlangery Podcast
Producer and Moderating Host, Conlangery Podcast
Re: Aspect and tense
Mesogzen is rather simple with tense marked with adverbs (mainly words like "yesterday" or "tomorrow" are used) and a simple perfective/imperfective aspect distinction.
| | |
Focus:
Relapsing (from time to time: Svenska is all-consuming):
Interested: Pretty much everything else.
Focus:
Relapsing (from time to time: Svenska is all-consuming):
Interested: Pretty much everything else.
Re: Aspect and tense
I'm in awe of some of your systems...In one of mine, much of the aspects will be monosyllabic affixes separated by hyphens and be affected by ablaut along with the verb...
For example:
at́rám by itself is static, but when it is dynamic, it has the prefix di- attached, giving di-at́rám. For the punctual aspect, the suffix -ag is attached, giving di-at́rám-ag. For habitual aspect, -āg is attached. Giving di-at́rám-āg.
This is not the entire system, obviously, but it's really all I have now.
For example:
at́rám by itself is static, but when it is dynamic, it has the prefix di- attached, giving di-at́rám. For the punctual aspect, the suffix -ag is attached, giving di-at́rám-ag. For habitual aspect, -āg is attached. Giving di-at́rám-āg.
This is not the entire system, obviously, but it's really all I have now.
Re: Aspect and tense
Feayran doesn't morphologically mark tense (unless you count incorporating specific time-roots as locative arguments), but it does mark aspect.
任何事物的发展都是物极必反,否极泰来。
Re: Aspect and tense
Šaupė doesn't inflect for aspect, only tense, of which it has Present, Past, Past Frequentive, and Future. But the verb takes on a lot of other information, such as person, mood, voice, modality, causality, etc etc. The tenses are inflected by changes to the vowels in a verb when possible, otherwise a suffix is used indicating the tense. (Typical verb is skėr(a), "to cut", with verb tenses skėra, skoru, skrodu, skiri respectively). The infinitive is only used when distinction is specifically required from the present tense, in which case the suffixe -iňis is used, (i.e. skėriňis).
Deutsche Sprache = schwere Sprache
(kezdő)
Adranivicu
Minten
(kezdő)
Adranivicu
Minten
Re: Aspect and tense
I just want to tell you how amazingly awesome that is and that I'm gonna steal it.Trailsend wrote:Feayran doesn't morphologically mark tense (unless you count incorporating specific time-roots as locative arguments), but it does mark aspect.
Hope you don't mind. :-P
Re: Aspect and tense
Thanks! No problem. Do I get a footnote? I love footnotes! :-DSankon wrote:I just want to tell you how amazingly awesome that is and that I'm gonna steal it.Trailsend wrote:Feayran doesn't morphologically mark tense (unless you count incorporating specific time-roots as locative arguments), but it does mark aspect.
Hope you don't mind. :-P
任何事物的发展都是物极必反,否极泰来。
Re: Aspect and tense
If I ever publish a proper grammar, you'll be a footnote. 8-)Trailsend wrote:Thanks! No problem. Do I get a footnote? I love footnotes! :-DSankon wrote:I just want to tell you how amazingly awesome that is and that I'm gonna steal it.Trailsend wrote:Feayran doesn't morphologically mark tense (unless you count incorporating specific time-roots as locative arguments), but it does mark aspect.
Hope you don't mind. :-P
Re: Aspect and tense
My English descendant Mekoshan has 2 tenses (Past and Non-Past) and 3 aspects (Perfective, Imperfective, and Retrospective). The Perfective Aspect has no tense contrast.
The Perfective or Aorist is derived from the merging of the English Preterite and Present Perfect.
aavsdaf "I stopped"
aa-v-sdaf
1SG-AOR-stop
aasayi "I saw it"
aa-sa-i
1SG.NOM-see.AOR-3SG.N.ACC
The Imperfective Non-Past or Present form differs depending on if the verb is an action verb on one hand or a stative or experiential verb on the other. The former is derived from the English Present Progressive, the later is formed from the English Simple Present.
Active verbs in both tenses of the Imperfective aspect obligatorily have a "dynamic" suffix "-n" derived from the English "-ing"
aasdafn "I am stopping/I stop"
aa-sdaf-n
1SG-stop-DYN
aano "I know"
aa-no
1SG-know
The Past Imperfective or Imperfect is derived from the English Past Progressive.
aavosdafn "I was stopping"
aa-vo-sdaf-n
1SG-PST-stop-DYN
The Non-Past and Past Retrospective, or Perfect and Pluperfect, are derived from the English Progressive Perfect.
aavęsdaf "I have stopped"
aa-vę-sdaf
1SG-PRF-stop
aadbęsdaf "I had stopped"
aa-dbę-sdaf
1SG-PRF.PST-stop
The Perfective or Aorist is derived from the merging of the English Preterite and Present Perfect.
aavsdaf "I stopped"
aa-v-sdaf
1SG-AOR-stop
aasayi "I saw it"
aa-sa-i
1SG.NOM-see.AOR-3SG.N.ACC
The Imperfective Non-Past or Present form differs depending on if the verb is an action verb on one hand or a stative or experiential verb on the other. The former is derived from the English Present Progressive, the later is formed from the English Simple Present.
Active verbs in both tenses of the Imperfective aspect obligatorily have a "dynamic" suffix "-n" derived from the English "-ing"
aasdafn "I am stopping/I stop"
aa-sdaf-n
1SG-stop-DYN
aano "I know"
aa-no
1SG-know
The Past Imperfective or Imperfect is derived from the English Past Progressive.
aavosdafn "I was stopping"
aa-vo-sdaf-n
1SG-PST-stop-DYN
The Non-Past and Past Retrospective, or Perfect and Pluperfect, are derived from the English Progressive Perfect.
aavęsdaf "I have stopped"
aa-vę-sdaf
1SG-PRF-stop
aadbęsdaf "I had stopped"
aa-dbę-sdaf
1SG-PRF.PST-stop