Morphologically relevant stress position change
Morphologically relevant stress position change
Okay, I couldn't even come up with a title that describes in short what I'm trying to do.
Basically my question is: is the system I wanted to introduce in my language viable / realistically usable / bullshit ? If yes, does it resemble anything you now? If not, why?
The system makes a distinction between tree different lengths of a vowel. Maybe they could be called tones, but I'm not sure this is what tone is about. What I know, is that (i'll use /a/ as an example) they would be pronounced as /a/ versus /'aa/ versus /a'a/ with the change of the stress's place having morphological relevance. Would this system have any major drawbacks? Thank you.
Basically my question is: is the system I wanted to introduce in my language viable / realistically usable / bullshit ? If yes, does it resemble anything you now? If not, why?
The system makes a distinction between tree different lengths of a vowel. Maybe they could be called tones, but I'm not sure this is what tone is about. What I know, is that (i'll use /a/ as an example) they would be pronounced as /a/ versus /'aa/ versus /a'a/ with the change of the stress's place having morphological relevance. Would this system have any major drawbacks? Thank you.
L1:
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Written:
Beginner:
Working on: ~ Eil
Fluent (on a good day):
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Re: Morphologically relevant stress position change
Are you saying that the volume in the middle of a vowel changes?
I would see that degenerate into either plain stress or tone very very quickly.
I would see that degenerate into either plain stress or tone very very quickly.
Re: Morphologically relevant stress position change
Maybe what I'm picturing in my mind is exactly what you're talking about, plain stress or tone. I don't want to be original, I'm just trying to find a way to formalize something that sounds good to my ears. How would you describe a tonal system that works like this? Rising vs. Falling tone? Contour? Stress? I'm sorry I'm pretty ignorant on this topic..
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Beginner:
Working on: ~ Eil
Fluent (on a good day):
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Re: Morphologically relevant stress position change
I think I may have proposed something like this before.
Do you mean something like this:
/ka.'ka/ means cow
/'ka.ka/ means volcano
Or perhaps even something more systematic like this (which was what I was having):
/ka.'ka/ means cow
/'ka.ka/ means cows
And so forth.
Do you mean something like this:
/ka.'ka/ means cow
/'ka.ka/ means volcano
Or perhaps even something more systematic like this (which was what I was having):
/ka.'ka/ means cow
/'ka.ka/ means cows
And so forth.
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Re: Morphologically relevant stress position change
:lol: Cyber, did you have to choose kaka?
Because the difference between / 'ka.ka / and / ka.'ka / is quite important.
(I am very immature.)
Because the difference between / 'ka.ka / and / ka.'ka / is quite important.
(I am very immature.)
Re: Morphologically relevant stress position change
Yeah, you're not the only one :lol:.Ossicone wrote::lol: Cyber, did you have to choose kaka?
Because the difference between / 'ka.ka / and / ka.'ka / is quite important.
(I am very immature.)
Re: Morphologically relevant stress position change
I think he means something like /'ka.a/ vs /ka.'a/ except without the syllable boundary.
Am I correct in my assumption?
Am I correct in my assumption?
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Re: Morphologically relevant stress position change
Sounds almost more tonal to meSankon wrote:I think he means something like /'ka.a/ vs /ka.'a/ except without the syllable boundary.
Am I correct in my assumption?
Re: Morphologically relevant stress position change
I'm not sure what a syllable boundary is, nor I could find any article on the web that explained it to me, but it totally sounds like you got my point. (And this makes me think that maybe is not as absurd as I thought it could have been)Sankon wrote:I think he means something like /'ka.a/ vs /ka.'a/ except without the syllable boundary.
Am I correct in my assumption?
L1:
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Re: Morphologically relevant stress position change
As far as I can come to understand them, syllables are more abstractions used in phonotactics than they are phonetic phenomenon. Syllable boundaries show up in the area of phonological transformations of words, not in their phonetic rendering.
For example, a word like "sutra" could be analyzed as either "sut.ra" or "su.tra". Which one is correct can't1 be obtained from the phonetic pronunciations of each one. Where you'd have to look is in morphology: Affixation, Infixation, and Gradation/Ablaut may care about a syllable boundary even where the phonetics doesn't.
[1] Except possibly in prosody: If codas play a role in syllable weight, then the words will have different stress patterns. But then there's the issue of whether prosody should be considered a part of a word's phonetic content or something extra applied onto it later. I tend to lean onto the latter explanation but I don't know nearly enough about the topic to give much in the way of evidence for this.
(Lookat me ma, I'm writing posts on topics complex enough to need footnotes!)
For example, a word like "sutra" could be analyzed as either "sut.ra" or "su.tra". Which one is correct can't1 be obtained from the phonetic pronunciations of each one. Where you'd have to look is in morphology: Affixation, Infixation, and Gradation/Ablaut may care about a syllable boundary even where the phonetics doesn't.
[1] Except possibly in prosody: If codas play a role in syllable weight, then the words will have different stress patterns. But then there's the issue of whether prosody should be considered a part of a word's phonetic content or something extra applied onto it later. I tend to lean onto the latter explanation but I don't know nearly enough about the topic to give much in the way of evidence for this.
(Lookat me ma, I'm writing posts on topics complex enough to need footnotes!)
Re: Morphologically relevant stress position change
Then yeah, that would very very very quickly degenerate into plain stress (maybe something to do with syllable weight?), tone, or maybe diphthongs (if vowels centralize or something based on stress).Jarhead wrote:I'm not sure what a syllable boundary is, nor I could find any article on the web that explained it to me, but it totally sounds like you got my point. (And this makes me think that maybe is not as absurd as I thought it could have been)Sankon wrote:I think he means something like /'ka.a/ vs /ka.'a/ except without the syllable boundary.
Am I correct in my assumption?
Re: Morphologically relevant stress position change
Thanks for that. And congrats for your footnote!Micamo wrote:As far as I can come to understand them, syllables are more abstractions used in phonotactics than they are phonetic phenomenon. Syllable boundaries show up in the area of phonological transformations of words, not in their phonetic rendering.
For example, a word like "sutra" could be analyzed as either "sut.ra" or "su.tra". Which one is correct can't1 be obtained from the phonetic pronunciations of each one. Where you'd have to look is in morphology: Affixation, Infixation, and Gradation/Ablaut may care about a syllable boundary even where the phonetics doesn't.
[1] Except possibly in prosody: If codas play a role in syllable weight, then the words will have different stress patterns. But then there's the issue of whether prosody should be considered a part of a word's phonetic content or something extra applied onto it later. I tend to lean onto the latter explanation but I don't know nearly enough about the topic to give much in the way of evidence for this.
(Lookat me ma, I'm writing posts on topics complex enough to need footnotes!)
Edit: Sankon, your mentioning of diphthongs prompted me to look them up on wikipedia, so I found out about rising and falling diphthongs. Would you say that that would be an appropriate description of my system?
L1:
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Written:
Beginner:
Working on: ~ Eil
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Re: Morphologically relevant stress position change
No, rising and falling diphthongs refers to the position of the vowels on the vowel chart: for example, /ai/ is a rising diphthong because /a/ is lower than /i/: hence it rises. /ua/ is thus a falling diphthong because /a/ is lower than /u/.Jarhead wrote:Thanks for that. And congrats for your footnote!Micamo wrote:As far as I can come to understand them, syllables are more abstractions used in phonotactics than they are phonetic phenomenon. Syllable boundaries show up in the area of phonological transformations of words, not in their phonetic rendering.
For example, a word like "sutra" could be analyzed as either "sut.ra" or "su.tra". Which one is correct can't1 be obtained from the phonetic pronunciations of each one. Where you'd have to look is in morphology: Affixation, Infixation, and Gradation/Ablaut may care about a syllable boundary even where the phonetics doesn't.
[1] Except possibly in prosody: If codas play a role in syllable weight, then the words will have different stress patterns. But then there's the issue of whether prosody should be considered a part of a word's phonetic content or something extra applied onto it later. I tend to lean onto the latter explanation but I don't know nearly enough about the topic to give much in the way of evidence for this.
(Lookat me ma, I'm writing posts on topics complex enough to need footnotes!)
Edit: Sankon, your mentioning of diphthongs prompted me to look them up on wikipedia, so I found out about rising and falling diphthongs. Would you say that that would be an appropriate description of my system?
The reason I mentioned diphthongs is because in some languages unstressed vowels are pronounced differently (like in English, but it' s a lot more complicated in English). So something phonemically /ka'a/ might be pronounced [ke'a] (if unstressed /a/ becomes [e]), and might eventually turn into /ke̯a/ (the curve underneath the e means that it is not syllabic), a falling diphthong.
Re: Morphologically relevant stress position change
Could my idea be translated into short vs. "finally stressed" diphtongs, like in Nortnern Sami, of which I just read?Sankon wrote: No, rising and falling diphthongs refers to the position of the vowels on the vowel chart: for example, /ai/ is a rising diphthong because /a/ is lower than /i/: hence it rises. /ua/ is thus a falling diphthong because /a/ is lower than /u/.
The reason I mentioned diphthongs is because in some languages unstressed vowels are pronounced differently (like in English, but it' s a lot more complicated in English). So something phonemically /ka'a/ might be pronounced [ke'a] (if unstressed /a/ becomes [e]), and might eventually turn into /ke̯a/ (the curve underneath the e means that it is not syllabic), a falling diphthong.
I'm trying to be as deep as possible on this topic because if it looks too complicated eventually I can just drop it.
L1:
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Re: Morphologically relevant stress position change
and BAM i'm an idiot sorry shows me right for not proofreadingJarhead wrote:Could my idea be translated into short vs. "finally stressed" diphtongs, like in Nortnern Sami, of which I just read?Sankon wrote: No, rising and falling diphthongs refers to the position of the vowels on the vowel chart: for example, /ai/ is a rising diphthong because /a/ is lower than /i/: hence it rises. /ua/ is thus a falling diphthong because /a/ is lower than /u/.
The reason I mentioned diphthongs is because in some languages unstressed vowels are pronounced differently (like in English, but it' s a lot more complicated in English). So something phonemically /ka'a/ might be pronounced [ke'a] (if unstressed /a/ becomes [e]), and might eventually turn into /ke̯a/ (the curve underneath the e means that it is not syllabic), a falling diphthong.
I'm trying to be as deep as possible on this topic because if it looks too complicated eventually I can just drop it.
I wasn't thinking: ignore what I said about falling vs. rising diphthongs: it's all wrong. I described the difference between opening and closing diphthongs. In opening diphthongs the second element is in a more open position, like /a/, so /ia/ would be an opening diphthong, and in closing diphthongs the second element is in a more closed position, like /i/, so /ai/ would be an opening diphthong. There are also height-harmonic diphthongs, where the two elements are the at the same height, like Old English /eo/ and /æɑ/.
Falling and rising refers to the prominence (whether of pitch or volume) of an element of a diphthong. English /aɪ/ is a falling diphthong because the /a/ is in some way "more important" than the /a/; the /ɪ/ is almost like a semivowel (but the problem with interpreting falling diphthongs as vowel+semivowel is that some languages distinguish between falling diphthongs and combinations of vowel+semivowel). In rising diphthongs, the second element is more prominent than the first (English doesn't have these). An example of a rising diphthong is Romanian /ea/. The /a/ is more prominent.
Now when I say "volume" as a characteristic of "prominence" (which is a very loosely defined term), I am not referring to stress. While diphthongs often do affect stress patterns (because some languages place stress based on syllable weight and diphthongs are often "heavier" than other vowels), in languages with fixed stress or no stress, diphthongs (despite maybe having a slight difference in volume during the diphthong) do not interfere with stress. In other words, the volume change that may be present in the elements of a diphthong is not large enough to affect stress, most of that time. And when it does affect the stress, the whole diphthong is stressed, as opposed to one element.
Sami "finally stressed" diphthongs only refers to having three lengths of diphthongs (like vowel length) in some grammars. Northern Sami apparently distinguishes between /ĕa ea eea/, not a different placement of stress during the diphthong itself.
So, I have never seen a system like yours, where stress is placed on a different element of a diphthong. In fact, that seems rather impossible, because then the stress would be occurring in the middle of a syllable, and stress usually occurs on a whole of a syllable. However, if you merely have two vowels in hiatus (no diphthong), different syllables, they can be stressed differently with no problem of justification (/e.'a/ versus /'e.a/). However, even that would be unstable.
Unless you aren't actually referring to stress, but a mere volume change, in which case you are talking about falling and rising diphthongs.
Sorry for the wall of text (I usually write less) and for the mistake I made in terminology.
Re: Morphologically relevant stress position change
Please, don't be sorry, because you are helping me a lot and giving me great advice. Thank you for all the time you obviously put in explaining this.Sankon wrote:and BAM i'm an idiot sorry shows me right for not proofreadingJarhead wrote:Could my idea be translated into short vs. "finally stressed" diphtongs, like in Nortnern Sami, of which I just read?Sankon wrote: No, rising and falling diphthongs refers to the position of the vowels on the vowel chart: for example, /ai/ is a rising diphthong because /a/ is lower than /i/: hence it rises. /ua/ is thus a falling diphthong because /a/ is lower than /u/.
The reason I mentioned diphthongs is because in some languages unstressed vowels are pronounced differently (like in English, but it' s a lot more complicated in English). So something phonemically /ka'a/ might be pronounced [ke'a] (if unstressed /a/ becomes [e]), and might eventually turn into /ke̯a/ (the curve underneath the e means that it is not syllabic), a falling diphthong.
I'm trying to be as deep as possible on this topic because if it looks too complicated eventually I can just drop it.
I wasn't thinking: ignore what I said about falling vs. rising diphthongs: it's all wrong. I described the difference between opening and closing diphthongs. In opening diphthongs the second element is in a more open position, like /a/, so /ia/ would be an opening diphthong, and in closing diphthongs the second element is in a more closed position, like /i/, so /ai/ would be an opening diphthong. There are also height-harmonic diphthongs, where the two elements are the at the same height, like Old English /eo/ and /æɑ/.
Falling and rising refers to the prominence (whether of pitch or volume) of an element of a diphthong. English /aɪ/ is a falling diphthong because the /a/ is in some way "more important" than the /a/; the /ɪ/ is almost like a semivowel (but the problem with interpreting falling diphthongs as vowel+semivowel is that some languages distinguish between falling diphthongs and combinations of vowel+semivowel). In rising diphthongs, the second element is more prominent than the first (English doesn't have these). An example of a rising diphthong is Romanian /ea/. The /a/ is more prominent.
Now when I say "volume" as a characteristic of "prominence" (which is a very loosely defined term), I am not referring to stress. While diphthongs often do affect stress patterns (because some languages place stress based on syllable weight and diphthongs are often "heavier" than other vowels), in languages with fixed stress or no stress, diphthongs (despite maybe having a slight difference in volume during the diphthong) do not interfere with stress. In other words, the volume change that may be present in the elements of a diphthong is not large enough to affect stress, most of that time. And when it does affect the stress, the whole diphthong is stressed, as opposed to one element.
Sami "finally stressed" diphthongs only refers to having three lengths of diphthongs (like vowel length) in some grammars. Northern Sami apparently distinguishes between /ĕa ea eea/, not a different placement of stress during the diphthong itself.
So, I have never seen a system like yours, where stress is placed on a different element of a diphthong. In fact, that seems rather impossible, because then the stress would be occurring in the middle of a syllable, and stress usually occurs on a whole of a syllable. However, if you merely have two vowels in hiatus (no diphthong), different syllables, they can be stressed differently with no problem of justification (/e.'a/ versus /'e.a/). However, even that would be unstable.
Unless you aren't actually referring to stress, but a mere volume change, in which case you are talking about falling and rising diphthongs.
Sorry for the wall of text (I usually write less) and for the mistake I made in terminology.
Considering your last explanation and the fact that you told me you've never seen anything like this, I think I'll probably drop the current system in favor of something more conventional. Again, I'd like to thank you for using your experience to help me.
L1:
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Fluent (on a good day):
Written:
Beginner:
Working on: ~ Eil
Re: Morphologically relevant stress position change
To be honest, I won't drop it. I can imagine that it's just your terminology that may be a little unclear. Just because you cannot describe it properly doesn't mean it makes no sense. Remember: The terminology serves to describe and is in that always vague. Maybe you're skidding the edges of it with your idea, but if you ask me it'S a rather cool idea. I guess no language can be pronounced correctly only from reading IPA transcriptions. Though it is a very sophisticated system, it's cannot capture human's capability to produce an endless amount of sounds.Jarhead wrote:Please, don't be sorry, because you are helping me a lot and giving me great advice. Thank you for all the time you obviously put in explaining this.
Considering your last explanation and the fact that you told me you've never seen anything like this, I think I'll probably drop the current system in favor of something more conventional. Again, I'd like to thank you for using your experience to help me.
Re: Morphologically relevant stress position change
Well thank you. Your post was actually very motivating. You'll be in the credits of my language, when it's finished
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Fluent (on a good day):
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Beginner:
Working on: ~ Eil
Fluent (on a good day):
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Beginner:
Working on: ~ Eil
Re: Morphologically relevant stress position change
If I'm understanding your OP correctly, then there are two possibilities for what your system really is.
When you speak your conlang, does your voice always go up (in pitch) on stressed syllables? If so, I'd call that tone. If your voice only goes up on some stressed syllables, however, I'd call that a pair of vowels in hiatus, which would probably turn into long stressed vowels.
When you speak your conlang, does your voice always go up (in pitch) on stressed syllables? If so, I'd call that tone. If your voice only goes up on some stressed syllables, however, I'd call that a pair of vowels in hiatus, which would probably turn into long stressed vowels.